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Finally returning with The Crying Light, Hegarty remains ill-at-ease with the limelight’s blinding gaze; fortunately, he’s retained a penchant for jaw-gaping compositions. His unmistakeably enunciated chords soar across every ivory-keyed arrangement like a sea bird migrating to the heavens. Subtly nuanced numbers like One Dove and Daylight & The Sun are still riddled with the inherent complexities of an outsider looking in but furrowed beneath is an optimism that stirs hope into the heart-melting vignettes. It may have taken an age but, here, Antony proves he was well worth waiting on.
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